The Downfall of Snow White: A Fairytale Gone Wrong

Once upon a time, the first ever Disney princess and animated feature film was released titled “Snow White and the Seven Dwarfs.” In recent years, Disney has been recreating live action versions of their classics, and Snow White was next. However, the film was a total fail, with critics pointing to its lack of “magic” and “charm”. The casting choice sparked a division. The film ultimately struggled at the box office, failing to live up to the legacy of its animated predecessor.  

The film was projected to have the lowest opening weekend for any Disney live-action remake, and so far, the movie has lived up to those negative expectations. Audience reactions have been underwhelming and the film has struggled to make a significant impact at the box office. 

The film's debut at the international box office fell just short of expectations, bringing in $44.3 million across 51 markets. While the numbers weren’t disastrous, they still marked a modest opening, failing to generate the excitement Disney had hoped for in global markets. The film's performance abroad has been underwhelming, particularly considering the high anticipation surrounding its release. Despite efforts to appeal to a wide audience, it seems the movie struggled to capture the interest of viewers in various regions, further fueling concerns about its overall commercial viability.

Disney’s Snow White has faced backlash from both ends of the political spectrum. Critics have slammed the film for being too progressive, questioning the casting of a Colombian actress as a princess known for her pale features, while others argue its not progressive enough, taking issue with the portrayal of dwarfs as outdated stereotypes. Adding fuel to the fire are controversial comments made by stars Rachel Zegglar as Snow White and Gal Gadot and The Evil Queen regarding the Israel-Gaza conflict, creating a storm of negative publicity to the film.

However, this shouldn't dictate if a film is horrible or not. The identity crisis is what makes it intriguing. The confused production is likely to appeal more to students of politics and cinema than to children seeking this enchanting “Disney magic” they are accustomed to.